Torch cams to give masses views from Lady Liberty

NEW YORK (AP) – Give me your tired, your poor — your Internet-connected masses yearning to see. Lady Liberty is getting high-tech gifts for her 125th birthday: webcams on her torch that will let viewers gaze out at New York Harbor and read the tablet in her hands or see visitors on the grounds of the island below in real time.

The five torch cams are to be switched on Friday during a ceremony to commemorate the dedication of the Statue of Liberty on Oct. 28, 1886. The ceremony caps a week of events centered around the historic date, including the debut of a major museum exhibition about poet Emma Lazarus, who helped bring the monument renown as the "Mother of Exiles."

The statue's webcams will offer views from the torch that have been unavailable to the public since 1916, said Stephen A. Briganti, the president of the Statue of Liberty-Ellis Island Foundation Inc.

"The statue is the most famous symbol in the world," he said. "Most of the people in the world have seen it, but they have not seen it like this. It will be a visit that so many people, including New Yorkers, have never taken before."

Through the webcams, Internet users around the world will have four views, including a high-quality, 180-degree stitched panorama of the harbor with stunning views of Ellis and Governors islands.

They will be able to watch as ships go by Liberty Island and observe as the Freedom Tower at the World Trade Center goes up floor-by-floor in lower Manhattan. They can get a fish-eye look at the torch itself as it glows in the night.

The five cameras, which will be on 24 hours, seven days a week, were donated to the National Park Service by Earthcam Inc., a New Jersey-based company that manages webcams around the world.

The cameras put viewers on the balcony of the torch and high above the crown, said Brian Cury, the founder of Earthcam.

"This is not your dad's picture of the Statue of Liberty," he said. "This is not a view from a tourist helicopter. This is unique."

Friday's ceremony also will be marked by a water flotilla, actress Sigourney Weaver reading Lazarus' poem and a naturalization ceremony for 125 candidates for citizenship representing over 40 countries.

The public is invited to attend the ceremony, with ferry service available between Manhattan and Liberty Island. The interior of the statue — from the pedestal down to the museum base — will close after the 125th celebration for up to a year so that stairwells, elevators and mechanical systems can be upgraded. The park itself will remain open to visitors.

The statue, designed by sculptor Frederic Auguste Bartholdi, was given by the French government to the U.S. as a token of friendship between the two countries and dedicated by President Grover Cleveland.

And while today it is known as a symbol of liberty for millions of refugees and exiles, initially the famous sonnet by Lazarus in the voice of the statue asking for "your tired, your poor, your huddled masses yearning to breathe free" did not appear on the statue. It was not until 1903 that "The New Colossus" was placed on the pedestal.

Lazarus is the subject of a new exhibit at the Museum of Jewish Heritage in lower Manhattan, which has views of Lady Liberty. It's to open Wednesday to coincide with the anniversary of the statue's dedication.

Curator Melissa Martens said Lazarus was born into the fourth generation of a Jewish family in New York prominent since colonial times. "They were some of the early people to articulate the Jewish experience in dialogue with the challenges of freedom and religious liberty," she said.

Featuring over 83 original objects from 27 institutions and individuals, "Poet of Exiles" is the first full-fledged artifact exhibit at a major museum to robustly explore the life of Lazarus, from her work as an advocate for immigrants fleeing the Russian pogroms of the early 1880s to her pioneering support for a Jewish homeland.

Lazarus died in 1887 at age 38 from Hodgkin's disease, never having known her poem would be united with the Statue of Liberty.

Barry Feinstein: captured rock's golden age dies

WOODSTOCK, N.Y. (AP) -- Photographer Barry Feinstein, who captured behind-the-scenes images from rock's golden age and shot iconic album covers for Bob Dylan and George Harrison, has died in upstate New York. He was 80.

Agent Dave Brolan says the Woodstock resident died early Thursday. He'd suffered various ailments and was hospitalized with an infection.

Feinstein's best-known images include the skinny, side-glancing picture of Dylan on the cover of 1963's "The Times They Are A-Changin'" and of Harrison sitting among garden gnomes on his 1970 solo album "All Things Must Pass.

But Feinstein had a varied career that ranged from shooting Hollywood stars like Steve McQueen and Judy Garland to top rock stars of the 1960s and 1970s.

Feinstein is survived by wife Judith Jamieson and two children from previous marriages.

For more information visit:

http://www.barryfeinsteinphotography.com/

100,000-Year-Old Art Studio Uncovered

By Elizabeth Landau, CNN
From cave painters to Greek sculptors to post-modern filmmakers, humanity has always had its share of artists. Now, there's evidence that humans were decorating things thousands of years earlier than we thought.

Archaeologists have uncovered what they believe is a 100,000-year-old paint workshop in Blombos Cave, South Africa, about 186 miles east of Cape Town. The discovery, discussed in the journal Science, indicates that our early Homo sapien ancestors had a basic knowledge of chemistry and the ability to make long-term plans.

"The recovery of these toolkits at Blombos Cave adds evidence for early technological and behavioral developments associated with H. sapiens and documents their deliberate planning, production, and curation of a pigmented compound and the use of containers," the study authors wrote.

"Ochre" is the term archaeologists use to describe dirt or rock that contains red or yellow oxides, or hydroxides of iron; it is basically early paint. Researchers found hammers and grindstones that could have been used to make this ochre powder in the cave.

Additionally, they found two sea snail shells called abalone shells that probably served as containers to store a red concoction of ochre, bone and charcoal. Pigment residue on one of the bones suggests it was used for stirring and transferring the mixture out of the shell.

There is evidence that this mixture had been heated; perhaps liquefied bone marrow was used as a paste. Urine or water was also probably added to make it more fluid.

This is also the oldest evidence for use of a container, said Francesco d'Errico, study co-author and researcher at the University of Bordeaux in France. It appears that these containers were used multiple times.

"They really knew what they were doing. It's not just idiosyncratic behavior, but it's a very planned process," d'Errico said.

Ancient fragments of ochre have been found before from earlier than 100,000 years ago, but never in association with the objects to make it, or in containers, d'Errico said. Chemical analysis reveals three different types of pigment were used in this workshop, including yellow and red shades.

"It's really relatively complex behavior going on there that clearly indicates that the production of pigment for them was not just occasional," d'Errico said. "It was a very planned process involving a number of different raw materials."

This cave seems to have been used as a workshop, and then the early Homo sapiens left it behind shortly after making these compounds. It appears that sand blew into the cave and very quickly covered these objects, preserving them throughout the millennia.

So far no paintings have been found on the walls of the cave. Scientists speculate that the paint was used for body decoration, or as an antiseptic for preparing animal skins, or both.

"It may be combination of functional and symbolic reasons," d'Errico said. "In traditional societies, these reasons -- symbolic and functional -- often go together. One reason cannot exclude the other."

Craig Morgan: A real life dude!

Sunday marked the tenth anniversary of the attack on our nation as well as the 26^th birthday of country radio station B-100. Award winning performers Craig Morgan & Jo Dee Messina, helped 30,000 fans celebrate it.

Gates opened at 10:00am and the music started flowing at noon.

He was born Craig Morgan Greer on July 17, 1965 in the rural community of Kingston Springs, Tennessee.

When Craig Morgan was ten years old and on a school field trip to Nashville, he sang "The Star-Spangled Banner" well enough to catch the ear of a distinctive older lady in the crowd. "She walked up to me and said, ‘Son, someday you’re gonna be a famous singer,’" Morgan remembers. Two-plus decades later, he’d be looking at a picture of the woman—Minnie Pearl—in the Ryman Auditorium dressing room that bears her name, getting ready for his first performance on the Grand Ole Opry.

He has spent much of his life in the service of others. Morgan would be an EMT, a contractor, a sheriff’s deputy and a Wal-Mart assistant dairy manager. He’d also spend ten years serving his country in the U.S. Army where he became part of "Operation Just Cause".  During his tenure with the army, he served ten years of active duty as a Fire Support Specialist, serving both the 101st and 82nd Airborne Divisions.  He holds "Airborne", "Jumpmaster" and "Air Assault" credentials. 

 

While stationed in Korea, Craig began songwriting and performing.  He secured a number of military accolades for his efforts.  Today, he frequently performs on military bases both at home and abroad; individually and as part of USO shows.

After his stint in the armed services, Craig returned home to Tennessee where he found himself perfoming various jobs to support his family. He has spent time in the fields of construction, security and law enforcement.But That's Why Morgan is one of country music’s most beloved performers. It doesn’t matter if he’s jumping out of airplanes, putting gallon jugs on a refrigerated shelf or singing hits like "Redneck Yacht Club," "Almost Home" and "Tough"—his honesty, humility and work ethic stand out as strongly as his talent. That’s why I keep swinging this hammer...break my back for a slice of that American pie, Morgan sings on That's Why's stirring title track, his stout voice ringing out with such authority and passion that you know the sentiment is no less true now that the hammer’s been replaced with a guitar. 

Morgan’s father played in country bands (and his grandfather was a farmer), but "I didn’t think music was something that I’d ever do for a living," he says. As it turns out, selling records, being on the radio and playing some 200 shows a year has only made him embrace fatherhood and family more firmly. Morgan has four children with his wife, Karen, as well as a daughter from a previous marriage; they live just a few miles from the farmland in Dickson, Tennessee, where his mother and father went on their first date. "Family truly is the thing that’s most important," Morgan says. "I love the music; I love singing and writing songs and producing records. But ultimately, I do what I have to do to take care of my family. Even someone who has the greatest job in the world would rather spend more time at home. I know I would, and I have the best job in the world."

He’s certainly become quite good at it. "That’s What I Love About Sunday," from Morgan’s 2005 album My Kind of Livin’, was the most played country song that year. Three songs off of Little Bit of Life (the title track, "Tough" and "International Harvester"), enjoyed stays in the Top 10, and he was nominated for Top New Male Vocalist by the Academy of Country Music in both 2006 and 2007. Truth is, you can’t tune in to a country station anywhere in the United States without hearing a Craig Morgan song within the hour. But he’s also just a bit like that great actor everybody knows and recognizes from a big successful movie, yet can’t quite place on sight. Oh, that guy! "People know the music," Morgan says. "When they come to my shows, they might know the latest single, or they may know a previous single. But sometimes I can read their lips: they’re going, ‘oh, I didn’t know he sang that one!’ Or, ‘I forgot about that song!’"

Morgan’s gift is for, as he puts it, "real-life stuff." His eye for the everyday, whether he’s trying to make sense of a world where kids want iPods for Christmas instead of BB guns, or describing girls with ponytails tucked in their baseball caps, is so unerring that it’s easy to overlook just how much goes into the songwriting. On the aching, piano-and-steel tinged ballad "Lookin’ Back with You," Morgan spins today’s most precious moments into tomorrow’s cherished memories—nearly every line is ripped right from his life, but every line is also the work of an exquisite craftsman, whether he’s going for humor, pathos or a mundane detail. When my new truck is my old truck/and I take off these big old tires/and it’s our turn to slow down traffic everywhere, he sings. Elsewhere, "Sticks," with its bluegrass bar band vibe, seems destined to supplant John Mellencamp’s "Small Town" as an American classic of both rock’n’roll and country. I was raised in the sticks/that’s where I get my kicks ... tailgatin’ with my buddies/boots and dog and tires all muddy. And if Morgan keeps writing songs like "Planet Her" for Karen, he may not ever need to get her birthday presents. "Ah, she’s not much for the music," he jokes. "She’d still rather have a Corvette."

Needless to say, Morgan’s full-on personality made him well-suited for the military. He spent 10 years on active duty in the 101st and 82nd Airborne Divisions and continued his service for nine years in the Reserves. He was stationed in Panama from 1989-90 and was part of the military operation that removed dictator Manuel Noriega from power.

Craig goes overseas to perform USO shows every chance he gets. "Sometimes you walk away feeling regret: that I should be there with them still," he says. "But I’m starting to appreciate what I can do now for those men and women outside of being a soldier. Doing stuff for the USO will always be a priority for me." Morgan received the 2006 USO Merit Award for his involvement, joining the likes of Steven Spielberg, Elizabeth Taylor, and Bob Hope as a recipient.

After his ninth tour of Iraq Morgan was heralded as a hero after rescuing two children from a burning house in Charlotte, Tenn.

“My 14-year-old son Jerry looked up and saw a house on fire, so we pulled into a gas station and ran up there,” Morgan told FOX411’s Pop Tarts. “The lady who owned the home came out with a fire extinguisher. I tried to put it out but it didn’t work. One thing led to another and in a matter of just a minute, the side of the house was engulfed by flames.”

It was then that the homeowner informed Morgan that her children were inside.

Using his skills and training as a former EMT, Army paratrooper and sheriff's deputy, Morgan took immediate action.

“I opened the door and the house was filled with smoke. There was a little two-year-old over in the corner with his face in the couch and when he saw me come in he got scared and took off running," Morgan said. "But I snatched him up, then the older child, about six or seven, came out of the bedroom. I grabbed him and took them out to their mom."

Music Row’s Bob Oermann wrote, "Craig Morgan is country music’s champion of the Everyman—a loyal husband and father, unblushingly sentimental, tough enough to kick your butt if you cross him, and the kind of friend everyone would like to have."

His entertainment honors from his milltary days would also pay off as he landed a job singing demos for other songwriters and publishing companies.  It wasn't long before his talent would secure him a recording contract with Atlantic Records.

Success continued for Craig as he signed with BNA Records in 2008.  October of the year saw the release of the album "That's Why" with a lead single of "Love Remembers".  The single peaked at #9.  During this same time Craig was invited to become a member of the Grand Ole Opry and was inducted on October 25, 2008. John Conlee surprised Craig with the invitation onstage during his performance of "Rose Colored Glasses", which was popularized by Conlee in 1978.  The song is often times found on Craig's set list.  His response to the invitation was "Oh, God, yes!"  His Opry guest debut had been eight and a half years earlier on April 21, 2000.

Craigs maintains a busy schedule playing the Grand Ole Opry, military bases and over 200 concerts per year. Being in the military made him value home and family as much as ever. And he still runs his country music operation like an Army unit. "My dad and mom raised me to be grateful and thankful and appreciative," he says. "They always told me, if somebody loans you something, give it back in better shape than what you get it in." Thus, Morgan and the band and road crew sweep the stage before and after shows, and are not likely to ever get an angry phone call from a motel clerk. After most gigs Morgan’s right there with them loading up the truck. "Something in my genes and my blood requires that I work—right or wrong, it makes me feel like a man," Morgan says with a laugh. "People ask me how I stay grounded ... man, I go home and I still mow my own grass. I clean my own pool. I have kids that I get onto and play with and love the same as everybody else. I will always be that same guy. Just like the people who buy our records and listen to our music."

For more information visit:

http://www.craigmorgan.com/

Jeff Beck named as Classic Rock living legend

Guitarist Jeff Beck is to be honoured with a living legend award by Classic Rock magazine.

Beck, 67, was a former member of The Yardbirds and founded the Jeff Beck Group, featuring Rod Stewart on vocals.

The musician, who was born in Surrey, told the BBC News website he was "very honoured" by the award.

"I'm really a backroom boy, not a mainstream rock act," he said. "It means someone is out there looking at what I'm doing, which is really nice."

The Classic Rock Roll Of Honour will be held at London's Roundhouse on 9 November, hosted by Kiss frontman Gene Simmons.

Other nominees include Foo Fighters, Iron Maiden and Metallica, who are all up for band of the year.

They will compete against The Michael Monroe Band, a new project from the former Hanoi Rocks frontman; and supergroup Black Country Communion, which includes Glenn Hughes and Jason Bonham in its line-up.

The 13 nominees for album of the year encompass rock veterans like Journey, Motorhead and Whitesnake alongside relative newcomers like Alter Bridge - who were formed in 2004.

Beck is also shortlisted in that category for Rock 'n' Roll Party, a live album recorded at a tribute concert for Les Paul.

The guitarist was one of three people to play lead for The Yardbirds - Eric Clapton preceded him, and Jimmy Page took his place in 1966.

While his contemporaries became globally-recognised rock guitarists, Beck followed a more complicated path, embracing jazz, psychedelia and electronica.

"Maybe I'll hear an opera singer and go home and write a heavy metal riff," he said.

"It's just what music does to me. It's hard to explain."

In 2003, Rolling Stone magazine named him the fourteenth greatest guitar player of all time. He has been inducted into the Rock And Roll Hall Of Fame twice - once as a solo artist, and once as part of The Yardbirds.

"It's very difficult to turn your back on something that draws people's attention to what you've been doing," he told the BBC.

"But living legend? It's hard to know what that means."

WASHINGTON (AP) — A spacecraft circling the moon has snapped the sharpest photos ever of the tracks and trash left behind by Apollo astronauts in their visits from 1969 to 1972.
Images taken by NASA's Lunar Reconnaissance Orbiter from 13 to 15 miles up show the astronauts' paths when they walked on the moon, as well as ruts left by a moon buggy. Experts could even identify the backpacks astronauts pitched out of their lunar landers before they returned to Earth.
"What we're seeing is a trail," said Arizona State University geology professor Mark Robinson, the orbiter's chief scientist. "It's totally awesome."
However, the photos were not close enough to see individual bootprints, Robinson said.
The pictures were taken two weeks ago and show the landing sites for Apollo 12, 14 and 17. The closest images are of the 1972 Apollo 17 site, the last moon mission.
Apollo 17 Commander Eugene Cernan wrote in an email to The Associated Press that the photo gives him a chance to revisit those days, "this time with a little nostalgia and disappointment. Nostalgia because those special days are fondly etched in my memory and disappointment because it looks like now we will not be going back within the days I have left on this planet."
Two years ago, images from the same spacecraft from 30 and 60 miles out showed fuzzier images. But this year the orbiter dipped down to take about 300,000 more close-ups. The trails left by the astronauts are clear, but the places where backpacks were discarded, Apollo 17's moon buggy, and the bottom parts of the three lunar landers are blurry.

"You have to really look at it for a long time to figure out what you're looking at," Robinson said. For example, when it comes to the moon buggy he said, "if you squint really hard you can resolve the wheels and that the wheels are slightly turned to the left."
At first, scientists thought they had a bit of a mystery: They saw more stuff than they expected. It turned out to be packing material and an insulation blanket, Robinson said.
After 40 years there does not seem to be much moon dust covering the manmade trails. It probably will take about 10 million to 100 million years for dust to cover them, Robinson said.
The photos were released a few days after the debut of the new fictional movie "Apollo 18" and before Thursday's planned launch of NASA's twin robotic spaceships to explore the moon's gravity.

Get your White Balance Right in Seconds Using Grey Card

by Sondra Pyrch from ShinyBlackApple Photography.

Not every beginner photographer is familiar with white balance concept and use. And it was the same case for me when I started to get into photography. White Balance will assist you in getting the colours in your images as precise as possible and make your pictures look more natural.

In this tutorial I will focus on the easiest way to make sure you will get your white balance 100% right.

It is accomplished by using a grey card. All you need is a grey card purchased from a photography shop or a piece of neutral grey paper  (make sure it’s non reflective though).

I fond my grey card from calumets (cost me around £20 pounds) and it came in two different sizes plus included grey and white references and black point handy for brightness/contrast adjustments.

A grey card makes your life much easier in post processing. First, it saves a lot of time by not needing to adjust every picture and secondly, you are able to batch process the rest of the pictures taken in the same light condition.

So let’s get started! This method is so quick and easy to do.

Once you turn your camera on – check your white balance on the camera is set to match closest the lighting type. Sun, overcast, indoors ect...

You need to look for a button on your camera with two capital letters WB and it is usually placed on the top right of canons near LCD screen and top left of Nikons.

Press WB and set it to the appropriate light situation.

If however you are not sure what white balance option to use – the best option then is to leave it set to “auto white balance”.

Now, all you to do is take a picture with gray card in that picture every time the light situation or the shooting location changes. You can either ask your subject to hold it or place it near it if it is still object.

In the matter of a second it will adjust your white balance and correct the colors. All you need to do then is just synchronising all the other pictures in the open selection and voila! Very quick and easy to batch process loads of images. You can use this technique in Lightroom as well.

I really hope this quick tutorial has helped you to save lots of time in Post Processing and getting better quality images to your clients. I am always using this technique when I am shooting outdoors and weddings as I can be sure my white balance using grey card will be correct.