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Auto Focus: Blessing or curse?

photo by Ray Tharaldson all rights reserved 2010

5 Reasons to Turn off Your Autofocus

by Alistair Scott.
When I started using a camera autofocus was something out of science fiction. I mean … it would never work in real life, would it? Apart from anything else, how could it know what you wanted to focus on?

Now fiction has become fact, and pretty well every camera has AF as standard. It works, and works well. But it doesn’t always work perfectly. It can pick up the wrong thing or fail to find anything to focus on, causing the lens to ‘hunt’ back and forth. Sometimes it won’t even let you fire the shutter.

So, here are ten situations when it’s worth turning your autofocus off and going back to the ‘good old days’ of manual focusing:

1. When there’s not enough light

In low light, contrast is also low, and AF relies on light and contrast to latch on to things. Your camera may have an AF assist lamp built in. But, even if you have it switched on, it won’t work in situations like in the shot above.

Though the image looks bright enough, in reality there was little light, and it required a 30-second exposure.

2. When there’s not enough contrast

If your AF metering spot is on something like a plain-coloured wall the camera will find it impossible to focus, no matter how bright the light, and the lens will ‘hunt’. You can re-frame your shot temporarily so the spot is on something with detail and press the shutter half down to activate the AF. Then keep the shutter button half-pressed to lock the focus, and go back to your original composition. Or focus by hand.

3. Shooting wildlife

Most wild animals have excellent hearing and, no matter how good your autofocus, it will make a noise. Even the slightest whirr is likely to spook wildlife. Switch it off if you want those great, natural wildlife shots.

4. With landscapes

When shooting landscapes you usually want things in focus from the foreground to distant mountains. This means closing down the aperture to increase depth of field and focusing about a third of the way into the scene (at a point called the ‘hyperfocal distance’ where everything from quite close to infinity is sharp). Switch off the AF. If you leave it on, when you press the shutter it will re-focus … probably on those far-off mountains.

5. If you’re doing HDR

High Dynamic Range photography involves taking several shots of the same scene, all exactly the same except for exposure, then blending them when you’re back at the computer. It’s important to have identical focus in each shot to ensure success. With AF on, it may choose a slightly different focus point for each shot.

By Tecca
Just how tough is your average DSLR memory card? Apparently tough enough to survive a year at the bottom of the ocean. Naturalist and aspiring photographer Markus Thompson was scuba diving in Deep Bay near Vancouver, British Columbia, when he found a Canon EOS 1000D. Curious, he brought it to the surface and took ut the SD card, and was actually able to recover about 50 photos.

With a bounty of pictures and a desire to find the camera's owner, Thompson took to social networking for help. He posted his find to Google+, including pictures of the camera itself as well as the photos he was able to recover from the SD card. "Approximately 50 pictures on the card from a family vacation. If you know a fire fighter from British Columbia whose team won the Pacific Regional Firefit competition, has a lovely wife and (now) 2 year old daughter - let me know. I would love to get them their vacation photos," he posted.

The social network's hive mind then went to work. Details on just who the camera belonged to were slim at first, but after social network sleuths began scouring the photos, more information began to surface. The camera contained images that were shot at a region firefighting competition, and appeared to suggest that the camera's owner was on the winning team. After comparing faces to those on various websites that covered the event, the possibilities were narrowed down.

The owner, a firefighter from British Columbia, was finally identified. His station was then contacted, bringing an end to the pricey camera's unlikely journey. The waterlogged Canon - which can cost upwards of $500 in new condition - made its splash in August of 2010, and had been soaking ever since. Unfortunately, not further details are available on just how the device managed to find a home on the ocean floor, but we imagine a bump off the side of a leisure boat is a likely explanation.

We've seen the power of social media to spread information about important events and natural disasters, and it's nice to see it work on a much smaller and more personal scale. And while obviously the camera is a total loss, the family was able to secure their vacation photos, not to mention a story they'll be able to share for a lifetime.


Concert photo's by Ray Tharsldson
all rights reserved 2011

By Brian Mansfield
Kenny Rogers likes his Christmas & Hits tour because it draws a completely different crowd than his concerts do the rest of the year. "Everybody's looking to remember what Christmas was like when they were kids," says the singer of country crossover hits like Lucille and The Gambler.

The 20-city music tour, which also features Billy Dean, kicks off tonight in Columbus, Ohio, and runs through Dec. 23 in Westbury, N.Y. "We try to do a lot of it up North, so we usually run into some snow."

Once upon a Christmas: The Christmas & Hits tour celebrates its 30th anniversary this year. It all started with some guy in the back of Atlanta's Fox Theatre during a mid-December show. "I was singing along, and he yells, 'Are you going to do any Christmas music?' " Rogers says. "I said, 'Well, wait a minute, I think I can.' So without even rehearsing, we did some Christmas piece. And the next year, we did four or five songs. It got bigger and bigger."


A Scholar-ly pursuit: Rogers, 73, got his start in a band called The Scholars. "That name was such a misnomer — we were D students," he says. "But we'd all seen the Four Freshmen and thought, 'Well, that's a cool name.' " The Scholars traveled the region around Houston, playing places like Lackland Air Force Base in San Antonio. "As 19-year-old kids, you'd sing to your grandmother and be happy about it. We were thrilled we were able to perform as professionals, even though our first job, which I think was a hundred miles away, we made 20 dollars each on."

A Showman's life — and near death: During the late '60s, Rogers joined the New Christy Minstrels, a popular folk group whose skills didn't extend to an understanding of physics. Which is why it made perfect sense for Rogers and drummer Mickey Jones to put the big Fender Dual Showman amplifier on top of the station-wagon rack. "We thought, that's heavy enough," Rogers says. And it was, at 30 miles an hour. It was even OK at 40 miles an hour. "Once you hit 50, it's not OK anymore," he says. "That thing lifted up — thank God there was nobody behind us — and we looked in the rearview mirror and there were sparks flying for half a mile behind us. We hooked it up that night and it played, but it was a little bit scarred up."

A bridge too far: Rogers played upright bass during his year and a half with the New Christy Minstrels. On one tour, the constant shipping and jostling caused the wooden bridge that holds the strings away from the instrument's body to work loose. One night, "that sucker popped off and went flying out into the audience," Rogers recalls. "Then I couldn't play bass. Aside from the fact that we had no bass in the sound, I stood there like an idiot and held this bass that couldn't be played, with four loose strings on it."

Rogers has a theory: "The audience expects 100% entertainment," he says. "If the opening act only gives them 10, I've got to give them 90. But if the opening act gives them 90, I've only got to give them 10!" The audience got a few bonus percentage points during one early-'80s show in Chicago, when Rogers headlined a show that also featured comedian George Burns and R&B great Ray Charles. "It was one of the coolest things, that cross-section of humor and music, and it really worked somehow."

Traveling in style: The days of station wagons and Greyhounds are far behind Rogers, who now travels in a customized Prevost tour bus. "I have a flat-screen, I have a chaise lounge, I have a refrigerator," he says. "What else does a man need?"

For more information visit:

Follow Focus Technique w/ Mike Fisher


Golden Eagle Attacks Cameraman!

by Shamil Zhumatov
OUCH! Sometimes being a cameraman is dangerous work!

Here a Golden Eagle attacks a cameraman during an annual hunting competition in Chengelsy Gorge, Kazakhstan.

When it snows on the steppes of eastern Kazakhstan, hunters saddle up and gallop off with eagles on their arms in search of prey. Many in Kazakhstan see eagle hunting as a symbol of their nation’s nomadic past and a throwback to an oft-romanticised era before these steppes turned into a geopolitical battleground between competing regional powers Russia and China.

You can see the rest of the pictures from the Kazakhstan Eagle Hunt on Stuff.co.nz. Just to let you know, there are a few photos of the eagle capturing a rabbit.

Golden Eagle Attacks Cameraman

by Shamil Zhumatov
OUCH! Sometimes being a cameraman is dangerous work!
Here a Golden Eagle attacks a cameraman during an annual hunting competition in Chengelsy Gorge, Kazakhstan.
When it snows on the steppes of eastern Kazakhstan, hunters saddle up and gallop off with eagles on their arms in search of prey. Many in Kazakhstan see eagle hunting as a symbol of their nation’s nomadic past and a throwback to an oft-romanticised era before these steppes turned into a geopolitical battleground between competing regional powers Russia and China.
You can see the rest of the pictures from the Kazakhstan Eagle Hunt on Stuff.co.nz. Just to let you know, there are a few photos of the eagle capturing a rabbit.

Probably the best pic of a flower you'll ever see!


BY PETER FARQUHAR
MMM, ladybird.
But although this one looks tasty, it's not recommended you eat it because it's full of "reflex blood".
Which isn't actually blood at all, just a foul-smelling and even worse-tasting slime to put you off eating ladybirds.
In fact, ladybirds are totally deceptive. You can't actually tell how old they are from the spots on their back, despite what your grandmother told you.
Anyway, back to this ladybird, which, to tell the truth, is a bit lazy, allowing itself to get covered in dew and all.
German photographer Jens Kolk caught it napping just the other day and used a macro lens to get the amazing shot.
"I went out into the garden with my camera on a cold Sunday morning," he said.
"The very special light this morning, shining just the right way, led to dozens of little sunstars, which in my opinion makes this a really nice shot."
And that's it, really. Just a nice picture we thought you'd like to see.
If you're one of those people who really need some ladybird news to justify it, check out this alarming report from the BBC, which claims a ladybird war has broken out in Jersey, UK, due to unseasonal warmth.
Five Amazing Ladybird Facts
  • In A Bug's Life, the ladybird isn't a ladybird at all. It's Dennis Leary.
  • The Finnish word for ladybird translates to Blood Gertrude.
  • The 13-spot ladybird is extinct. Except it isn't, because it turned up again in Cornwall in the 2011 UK Ladybird Survey.
  • "Ladybird taint" can ruin your wine.
  • In 1976, a long hot summer saw "many reports of people being bitten" by ladybirds, which got hungry because all the aphids died.

Lost JFK Assassination Tape For Sale

Recordings Made On Air Force One Following Shooting
By Jackie Damico 
CNN) -- A newly discovered version of recordings made aboard Air Force One in the wake of President John F. Kennedy's assassination is being offered for sale at $500,000, the dealer selling the tape said Tuesday.

This version has never before been heard by the public, Raab Collection Vice President Nathan Raab told CNN.

"It's exciting when you find something that's not only an antique but contributes to the historical record," Raab said.

The Raab Collection, a historic documents dealer in Philadelphia, said in a statement the recording is more than 30 minutes longer than the version at the National Archives and contains the names of people never before heard from in the aftermath of Kennedy's assassination on Nov. 22, 1963.

The Raab Collection is selling the reel-to-reel recording for $500,000, but is providing a digital file at no cost to the National Archives and the John F. Kennedy Library in Boston.

The tape was purchased by the Raab Collection in the public sale of the estate of Army Gen. Chester "Ted" Clifton, Jr., who served as the senior military aide to Kennedy and then to President Lyndon B. Johnson. An image of the label on the tape's box, shown on the Raab Collection website, says "Radio Traffic involving AF-1 in flight from Dallas, Texas to Andrews AFB on Nov. 22, 1963."

"For General Clifton," the label says. It says it was made by the White House Communications Agency.

At the time it was purchased, it was just a tape in a box, Nathan Raab said, but employees felt there was something more to it.

They had the tape digitized and analyzed and compared it to transcripts from the time of assassination.

"This is a subject that has been extensively studied and there's no shortage of information on this tape," Raab said.

A comparison of published works about the day of the assassination and previously known audio recordings from that day helped the company determine the true identity of the recording.
Copyright CNN 2011

Kodak sells its image sensor unit

The Associated Press, November 7, 2011

ROCHESTER, N.Y. — Eastman Kodak Co. says it has completed the sale of an image sensor business to a private equity firm in Beverly Hills, Calif.

The photography pioneer is offloading what it calls "non-strategic assets" in a scramble to reinvent itself as a profitable player in digital imaging and printing.

Financial terms of the sale to Platinum Equity were not disclosed Monday.

But CEO Antonio Perez said last week that Kodak has already booked $120 million in asset sales this year and expects to reach $200 million by year-end.

The business, which employs 200 people, makes solid-state image sensors for digital-imaging devices at a factory in Rochester that's included in the sale.

In April, Kodak sold 850 image-sensor patents and patent applications for $65 million to image-sensor maker OmniVision Technologies.

For more information visit: http://www.kodak.com

Mark Chesnutt brings his hits to Sturges, CA.

Michel Nolan, Staff Writer
photo's by Ray Tharaldson all rights reserved 2011

Country music fans are in for a good time. Hitmaking country singer-songwriter Mark Chesnutt performs in concert Saturday at San Bernardino's historic Sturges Center for the Fine Arts.

The Texas native, known for his traditional country music style, will perform popular songs such as "Too Cold at Home," "Brother Jukebox," and "I'll Think of Something."

The 8 p.m. concert is a presentation of the City of San Bernardino Economic Development Agency.
Chesnutt, who received the Country Music Association Horizon Award and was named to Billboard's Top 10 Most Played Artists in the '90s, has had four platinum albums, five gold albums, more than 30 charted singles on the Billboard Hot Country chart, 23 Top 10 singles and 14 No. 1 hits.

 His other hit singles include "Blame it on Texas," "Your Love is a Miracle," "It Sure is Monday," "Almost Goodbye," "I Just Wanted You to Know," "She Dreams," "Gonna Get a Life," "It's a Little Too Late," "Thank God for Believers" and the Aerosmith remake "I Don't Want to Miss a Thing."

Jason James, producing director at the Sturges, said the theater is thrilled to be welcoming the icon to the stage.

"We are always excited to have such quality performers here at the Sturges Center. Mark Chesnutt is an all-star country singer and we cannot wait to see him," James said.

Known as one of country music's hardest-working concert performers, Chesnutt has always maintained a heavy tour schedule, whether playing in clubs, honky tonks or concert venues.

He has performed throughout the world, including Germany, France, Sweden, Switzerland, Japan and the Middle East.

MARK CHESNUTT
When: 8 p.m. Saturday
Where: Sturges Center for the Fine Arts, 780 N. E St., San Bernardino
Tickets: $19-$45, available through www.ticketmaster.com, www.livenation.com or theater box office

For more information call: 909-885-5152 
or visit:

ACLU lawsuit accuses Los Angeles County Sheriff’s Department of harassing photographers

By Associated Press, Published: October 27
LOS ANGELES — The American Civil Liberties Union sued the Los Angeles County Sheriff’s Department on Thursday, claiming the law enforcement agency is harassing news photographers and other people who take pictures in public places.
The lawsuit, filed in U.S. District Court in Los Angeles, charges that sheriff’s deputies have harassed several photographers over the past two years. It states deputies have stopped people, frisked them and in some cases threatened to arrest them for taking photos near subways, courthouses and other public places.
It names as defendants Los Angeles County, the Sheriff’s Department and several individual sheriff’s deputies.
The action was brought on behalf of three photographers, one of them a reporter for the Long Beach Post news site who said authorities indicated they became suspicious when they saw him taking photos near a courthouse.
Another of the plaintiffs said sheriff’s deputies asked whether he planned to sell his photos to the terrorist group al-Qaida.
Sheriff’s spokesman Steve Whitmore said public safety requires that deputies question people who might be engaging in suspicious activity, but that it’s important they do it respectfully.
“Obviously we have to ask questions. There are security issues that are always at large,” Whitmore said. He added that doesn’t mean his department believes the lawsuit, brought by the American Civil Liberties Union of Southern California, has merit.
“Lawsuits only tell one side of the story,” he said. “We look forward to telling the whole story.”
The Long Beach Post photographer, Greggory Moore, said he was on a public sidewalk taking photos of passing cars for a story on Distracted Driving Awareness Month when eight deputies surrounded him. He said he was frisked and asked what he was doing.
Moore said authorities told him later that his taking photos across the street from a courthouse signaled a possible terrorist threat, which was why he was stopped and searched.
Photographer Shawn Nee said he was on his way home when he exited a subway station in Hollywood and decided to stop to photograph the new turnstiles there. He said a sheriff’s deputy asked him if he was “in cahoots with al-Qaida” before searching him. He said the deputy also threatened to arrest him when he wouldn’t identify himself or say what the photos were for.
Mickey H. Osterreicher, general counsel for the National Press Photographers Association, said such instances of photographers being stopped, questioned and searched is becoming more common, not only in Los Angeles but across the country. He added that security shouldn’t be routinely used as a “pretext” to stifle free expression rights.
“Photography is not a crime. It’s protected First Amendment expression,” said Peter Bibring, senior staff attorney at the ACLU of Southern California. “Sheriff’s deputies violate the Constitution’s core protections when they detain and search people who are doing nothing wrong. To single them out for such treatment while they’re pursuing a constitutionally protected activity is doubly wrong.”
The lawsuit asks that the court declare the actions of the Sheriff’s Department unconstitutional. It also seeks unspecified compensatory and punitive damages.

Torch cams to give masses views from Lady Liberty

NEW YORK (AP) – Give me your tired, your poor — your Internet-connected masses yearning to see. Lady Liberty is getting high-tech gifts for her 125th birthday: webcams on her torch that will let viewers gaze out at New York Harbor and read the tablet in her hands or see visitors on the grounds of the island below in real time.

The five torch cams are to be switched on Friday during a ceremony to commemorate the dedication of the Statue of Liberty on Oct. 28, 1886. The ceremony caps a week of events centered around the historic date, including the debut of a major museum exhibition about poet Emma Lazarus, who helped bring the monument renown as the "Mother of Exiles."
The statue's webcams will offer views from the torch that have been unavailable to the public since 1916, said Stephen A. Briganti, the president of the Statue of Liberty-Ellis Island Foundation Inc.
"The statue is the most famous symbol in the world," he said. "Most of the people in the world have seen it, but they have not seen it like this. It will be a visit that so many people, including New Yorkers, have never taken before."
Through the webcams, Internet users around the world will have four views, including a high-quality, 180-degree stitched panorama of the harbor with stunning views of Ellis and Governors islands.

They will be able to watch as ships go by Liberty Island and observe as the Freedom Tower at the World Trade Center goes up floor-by-floor in lower Manhattan. They can get a fish-eye look at the torch itself as it glows in the night.
The five cameras, which will be on 24 hours, seven days a week, were donated to the National Park Service by Earthcam Inc., a New Jersey-based company that manages webcams around the world.
The cameras put viewers on the balcony of the torch and high above the crown, said Brian Cury, the founder of Earthcam.
"This is not your dad's picture of the Statue of Liberty," he said. "This is not a view from a tourist helicopter. This is unique."
Friday's ceremony also will be marked by a water flotilla, actress Sigourney Weaver reading Lazarus' poem and a naturalization ceremony for 125 candidates for citizenship representing over 40 countries.
The public is invited to attend the ceremony, with ferry service available between Manhattan and Liberty Island. The interior of the statue — from the pedestal down to the museum base — will close after the 125th celebration for up to a year so that stairwells, elevators and mechanical systems can be upgraded. The park itself will remain open to visitors.
The statue, designed by sculptor Frederic Auguste Bartholdi, was given by the French government to the U.S. as a token of friendship between the two countries and dedicated by President Grover Cleveland.

And while today it is known as a symbol of liberty for millions of refugees and exiles, initially the famous sonnet by Lazarus in the voice of the statue asking for "your tired, your poor, your huddled masses yearning to breathe free" did not appear on the statue. It was not until 1903 that "The New Colossus" was placed on the pedestal.
Lazarus is the subject of a new exhibit at the Museum of Jewish Heritage in lower Manhattan, which has views of Lady Liberty. It's to open Wednesday to coincide with the anniversary of the statue's dedication.
Curator Melissa Martens said Lazarus was born into the fourth generation of a Jewish family in New York prominent since colonial times. "They were some of the early people to articulate the Jewish experience in dialogue with the challenges of freedom and religious liberty," she said.
Featuring over 83 original objects from 27 institutions and individuals, "Poet of Exiles" is the first full-fledged artifact exhibit at a major museum to robustly explore the life of Lazarus, from her work as an advocate for immigrants fleeing the Russian pogroms of the early 1880s to her pioneering support for a Jewish homeland.
Lazarus died in 1887 at age 38 from Hodgkin's disease, never having known her poem would be united with the Statue of Liberty.


100,000-Year-Old Art Studio Uncovered

By Elizabeth Landau, CNN
From cave painters to Greek sculptors to post-modern filmmakers, humanity has always had its share of artists. Now, there's evidence that humans were decorating things thousands of years earlier than we thought.

Archaeologists have uncovered what they believe is a 100,000-year-old paint workshop in Blombos Cave, South Africa, about 186 miles east of Cape Town. The discovery, discussed in the journal Science, indicates that our early Homo sapien ancestors had a basic knowledge of chemistry and the ability to make long-term plans.

"The recovery of these toolkits at Blombos Cave adds evidence for early technological and behavioral developments associated with H. sapiens and documents their deliberate planning, production, and curation of a pigmented compound and the use of containers," the study authors wrote.

"Ochre" is the term archaeologists use to describe dirt or rock that contains red or yellow oxides, or hydroxides of iron; it is basically early paint. Researchers found hammers and grindstones that could have been used to make this ochre powder in the cave.

Additionally, they found two sea snail shells called abalone shells that probably served as containers to store a red concoction of ochre, bone and charcoal. Pigment residue on one of the bones suggests it was used for stirring and transferring the mixture out of the shell.

There is evidence that this mixture had been heated; perhaps liquefied bone marrow was used as a paste. Urine or water was also probably added to make it more fluid.

This is also the oldest evidence for use of a container, said Francesco d'Errico, study co-author and researcher at the University of Bordeaux in France. It appears that these containers were used multiple times.

"They really knew what they were doing. It's not just idiosyncratic behavior, but it's a very planned process," d'Errico said.

Ancient fragments of ochre have been found before from earlier than 100,000 years ago, but never in association with the objects to make it, or in containers, d'Errico said. Chemical analysis reveals three different types of pigment were used in this workshop, including yellow and red shades.

"It's really relatively complex behavior going on there that clearly indicates that the production of pigment for them was not just occasional," d'Errico said. "It was a very planned process involving a number of different raw materials."

This cave seems to have been used as a workshop, and then the early Homo sapiens left it behind shortly after making these compounds. It appears that sand blew into the cave and very quickly covered these objects, preserving them throughout the millennia.

So far no paintings have been found on the walls of the cave. Scientists speculate that the paint was used for body decoration, or as an antiseptic for preparing animal skins, or both.

"It may be combination of functional and symbolic reasons," d'Errico said. "In traditional societies, these reasons -- symbolic and functional -- often go together. One reason cannot exclude the other."

Craig Morgan: A real life dude!


Sunday marked the tenth anniversary of the attack on our nation as well as the 26th birthday of country radio station B-100. Award winning performers Craig Morgan & Jo Dee Messina, helped 30,000 fans celebrate it.

Gates opened at 10:00am and the music started flowing at noon.

He was born Craig Morgan Greer on July 17, 1965 in the rural community of Kingston Springs, Tennessee.

When Craig Morgan was ten years old and on a school field trip to Nashville, he sang "The Star-Spangled Banner" well enough to catch the ear of a distinctive older lady in the crowd. "She walked up to me and said, ‘Son, someday you’re gonna be a famous singer,’" Morgan remembers. Two-plus decades later, he’d be looking at a picture of the woman—Minnie Pearl—in the Ryman Auditorium dressing room that bears her name, getting ready for his first performance on the Grand Ole Opry.

He has spent much of his life in the service of others. Morgan would be an EMT, a contractor, a sheriff’s deputy and a Wal-Mart assistant dairy manager. He’d also spend ten years serving his country in the U.S. Army where he became part of "Operation Just Cause".  During his tenure with the army, he served ten years of active duty as a Fire Support Specialist, serving both the 101st and 82nd Airborne Divisions.  He holds "Airborne", "Jumpmaster" and "Air Assault" credentials. 
 
While stationed in Korea, Craig began songwriting and performing.  He secured a number of military accolades for his efforts.  Today, he frequently performs on military bases both at home and abroad; individually and as part of USO shows.

After his stint in the armed services, Craig returned home to Tennessee where he found himself perfoming various jobs to support his family. He has spent time in the fields of construction, security and law enforcement.But That's Why Morgan is one of country music’s most beloved performers. It doesn’t matter if he’s jumping out of airplanes, putting gallon jugs on a refrigerated shelf or singing hits like "Redneck Yacht Club," "Almost Home" and "Tough"—his honesty, humility and work ethic stand out as strongly as his talent. That’s why I keep swinging this hammer...break my back for a slice of that American pie, Morgan sings on That's Why's stirring title track, his stout voice ringing out with such authority and passion that you know the sentiment is no less true now that the hammer’s been replaced with a guitar. 


Morgan’s father played in country bands (and his grandfather was a farmer), but "I didn’t think music was something that I’d ever do for a living," he says. As it turns out, selling records, being on the radio and playing some 200 shows a year has only made him embrace fatherhood and family more firmly. Morgan has four children with his wife, Karen, as well as a daughter from a previous marriage; they live just a few miles from the farmland in Dickson, Tennessee, where his mother and father went on their first date. "Family truly is the thing that’s most important," Morgan says. "I love the music; I love singing and writing songs and producing records. But ultimately, I do what I have to do to take care of my family. Even someone who has the greatest job in the world would rather spend more time at home. I know I would, and I have the best job in the world."

He’s certainly become quite good at it. "That’s What I Love About Sunday," from Morgan’s 2005 album My Kind of Livin’, was the most played country song that year. Three songs off of Little Bit of Life (the title track, "Tough" and "International Harvester"), enjoyed stays in the Top 10, and he was nominated for Top New Male Vocalist by the Academy of Country Music in both 2006 and 2007. Truth is, you can’t tune in to a country station anywhere in the United States without hearing a Craig Morgan song within the hour. But he’s also just a bit like that great actor everybody knows and recognizes from a big successful movie, yet can’t quite place on sight. Oh, that guy! "People know the music," Morgan says. "When they come to my shows, they might know the latest single, or they may know a previous single. But sometimes I can read their lips: they’re going, ‘oh, I didn’t know he sang that one!’ Or, ‘I forgot about that song!’"

Morgan’s gift is for, as he puts it, "real-life stuff." His eye for the everyday, whether he’s trying to make sense of a world where kids want iPods for Christmas instead of BB guns, or describing girls with ponytails tucked in their baseball caps, is so unerring that it’s easy to overlook just how much goes into the songwriting. On the aching, piano-and-steel tinged ballad "Lookin’ Back with You," Morgan spins today’s most precious moments into tomorrow’s cherished memories—nearly every line is ripped right from his life, but every line is also the work of an exquisite craftsman, whether he’s going for humor, pathos or a mundane detail. When my new truck is my old truck/and I take off these big old tires/and it’s our turn to slow down traffic everywhere, he sings. Elsewhere, "Sticks," with its bluegrass bar band vibe, seems destined to supplant John Mellencamp’s "Small Town" as an American classic of both rock’n’roll and country. I was raised in the sticks/that’s where I get my kicks ... tailgatin’ with my buddies/boots and dog and tires all muddy. And if Morgan keeps writing songs like "Planet Her" for Karen, he may not ever need to get her birthday presents. "Ah, she’s not much for the music," he jokes. "She’d still rather have a Corvette."

Needless to say, Morgan’s full-on personality made him well-suited for the military. He spent 10 years on active duty in the 101st and 82nd Airborne Divisions and continued his service for nine years in the Reserves. He was stationed in Panama from 1989-90 and was part of the military operation that removed dictator Manuel Noriega from power.

Craig goes overseas to perform USO shows every chance he gets. "Sometimes you walk away feeling regret: that I should be there with them still," he says. "But I’m starting to appreciate what I can do now for those men and women outside of being a soldier. Doing stuff for the USO will always be a priority for me." Morgan received the 2006 USO Merit Award for his involvement, joining the likes of Steven Spielberg, Elizabeth Taylor, and Bob Hope as a recipient.

After his ninth tour of Iraq Morgan was heralded as a hero after rescuing two children from a burning house in Charlotte, Tenn.

“My 14-year-old son Jerry looked up and saw a house on fire, so we pulled into a gas station and ran up there,” Morgan told FOX411’s Pop Tarts. “The lady who owned the home came out with a fire extinguisher. I tried to put it out but it didn’t work. One thing led to another and in a matter of just a minute, the side of the house was engulfed by flames.”

It was then that the homeowner informed Morgan that her children were inside.

Using his skills and training as a former EMT, Army paratrooper and sheriff's deputy, Morgan took immediate action.

“I opened the door and the house was filled with smoke. There was a little two-year-old over in the corner with his face in the couch and when he saw me come in he got scared and took off running," Morgan said. "But I snatched him up, then the older child, about six or seven, came out of the bedroom. I grabbed him and took them out to their mom."

Music Row’s Bob Oermann wrote, "Craig Morgan is country music’s champion of the Everyman—a loyal husband and father, unblushingly sentimental, tough enough to kick your butt if you cross him, and the kind of friend everyone would like to have."

His entertainment honors from his milltary days would also pay off as he landed a job singing demos for other songwriters and publishing companies.  It wasn't long before his talent would secure him a recording contract with Atlantic Records.

Success continued for Craig as he signed with BNA Records in 2008.  October of the year saw the release of the album "That's Why" with a lead single of "Love Remembers".  The single peaked at #9.  During this same time Craig was invited to become a member of the Grand Ole Opry and was inducted on October 25, 2008. John Conlee surprised Craig with the invitation onstage during his performance of "Rose Colored Glasses", which was popularized by Conlee in 1978.  The song is often times found on Craig's set list.  His response to the invitation was "Oh, God, yes!"  His Opry guest debut had been eight and a half years earlier on April 21, 2000.

Craigs maintains a busy schedule playing the Grand Ole Opry, military bases and over 200 concerts per year. Being in the military made him value home and family as much as ever. And he still runs his country music operation like an Army unit. "My dad and mom raised me to be grateful and thankful and appreciative," he says. "They always told me, if somebody loans you something, give it back in better shape than what you get it in." Thus, Morgan and the band and road crew sweep the stage before and after shows, and are not likely to ever get an angry phone call from a motel clerk. After most gigs Morgan’s right there with them loading up the truck. "Something in my genes and my blood requires that I work—right or wrong, it makes me feel like a man," Morgan says with a laugh. "People ask me how I stay grounded ... man, I go home and I still mow my own grass. I clean my own pool. I have kids that I get onto and play with and love the same as everybody else. I will always be that same guy. Just like the people who buy our records and listen to our music."

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